classes spend most
of their time finding food, water, and shelter. The average
income in Ghana is about $1 a day, so buying newspapers is
not a priority or even a possibility for most of them.
When Mr. Ohene, the editor asked me about the stories I
was interested in writing, I told him I wanted to be a travel
writer. He raised an eyebrow to indicate a more serious journalistic
endeavor would have been a more appropriate response. I quickly
recovered, if only momentarily, by telling him my minor is
international studies and that I am interested in politics
and social issues.
He fired a series of questions at me about local politics,
and it became quickly apparent that my knowledge of Ghanaian
goings-on was woefully inadequate. But he welcomed me aboard,
nonetheless, and I was shown to the newsroom.
We walked outside and up a spiral staircase. The door was
propped open to a small room with two metal desks, four computers
and no air conditioning. The overhead fan provided the only
respite from the heat as a dozen reporters perched on window
sills and atop desks for lack of chairs, reading papers,
writing stories, waiting for a computer, listening to the
news on a small portable radio, and chatting in the local
dialect. I introduced myself, spoke briefly with some of
the reporters, and told them I would start Monday morning.
Getting to work on Monday proved to be an interesting start
to a long and disorienting day. From the house I shared with
other volunteers, I walked through the roundabout of Asylum
Down, my new neighborhood, and followed a wide, open sewer
down a street lined with market stalls
to the main road where I waited for a tro-tro, the primary
mode of transportation in Ghana. The stripped down minivans,
usually with a rope holding the door on, can reasonably seat
12, but generally carry twice that many Ghanaians.
Everything nonessential to the operation of the vehicle
usually has been sold, including interior panels, head rests,
seatbelts and some windows. Fold-down jump seats in the aisle
help accommodate the overflow of people.
The driver is assisted by a younger man who operates the
door and leans out the window soliciting passengers and shouting
the name of the tro-tro’s destination.
In Ghana, there are no addresses or postal codes, only landmarks.
I was going to Kwame Nkrumah Circle, and I realized after taking
the wrong tro-tro that my destination was called “Circle”,
or was simply indicated by hand motion that resembles the action
one takes to turn a sticky doorknob.
To board the tro-tro, you flag it down, pay 8 cents and hope
you are headed in the right direction. To alight, you shout “bus
stop” (baz stope with a Ghanaian accent, lest you be
misunderstood), and 25 people with all their wares shift around
to let you out.
After arriving at Circle, I made my way through a bustling
market and into the Kokomlemle neighborhood, boarding another
tro-tro to Newtown and the Chronicle’s office.
The tro-tro ride was a fabulous introduction to Ghanaian
culture. It seems that driving an automobile in Ghana is an
inalienable right of any man with a heartbeat who can get his
hands on a car. Women almost never drive. There is a blatant
disregard for traffic laws, and I had serious doubts as to
whether any laws were enforced at all. The tro-tro bounced
and weaved over bumpy roads as the vibrant and dusty and altogether
bizarre aspects of my new world passed by the window. These
rides would come to be one of my favorite parts of the day.
In
the capital city of Accra, luxury cars and Internet cafes coexist
with shantytowns and market stalls. Men in suits talk on mobile
phones and they walk down dusty potholed streets lined with
open sewers and 6-year-olds work all day in the sun selling
chewing gum to help feed the family. High-level officials in
designer clothes make deals with the World Bank in ultramodern
glass office buildings while women outside in traditional clothes
walk for miles with just enough water for the day balanced
perfectly on their heads. But the city seems to serve as a
benchmark, a potent expression of what a modern Africa has
become, where the distribution of wealth is fiercely unequal
and communal life has given way to competition for resources.
I spent the first couple of weeks at work reading the local
papers; getting briefed on current issues; getting to know
the terrain, the customs and the locals; and a whole lot of
copy editing. I was only mildly surprised to find that no one
in the office could type with more than two fingers and that
many articles were written by hand before they were turned
in. The computers had Windows 98 and no Internet access, but
most of them worked most of the time.
While English is the official language of Ghana, the reporters
communicated in Twi or Ga, two of approximately 70 tribal languages.
They were paid per story, but I never sensed the fierce competitiveness
that I suspect would have occurred under similar circumstances
in America. There is an intrinsic kindness and generosity in
the Ghanaian people that seems impossible considering the remarkable
poverty in which they live.
Every time I would enter the newsroom one of my colleagues
would say, “You are welcome,” to which I would
always respond, “Thank you” but I was left wondering
what favor they had done for me that I had forgotten to thank
them for.
I later realized they meant “You are welcome here.” It
was an expression of hospitality, a greeting that exhibited
the warmth and openness of the Ghanaian people. 
I began attending news conferences, most of which had to
do with economic reform and monetary policy. The government
of Ghana is democratic
and stable, but lacks the money to get things done. I wrote
mundane articles based on government news conferences and press
releases and realized I could not understand Ghana until I
left Accra and visited smaller cities and villages, in the
same way that a traveler to New York City would not understand
America until they saw more of it. And the disparity I encountered
in outlying areas in Ghana are as profoundly different from
Accra as New York is from rural America.
Traveling outside of Accra is like going back in time. I
traveled east along the coast to Ada Foah with some friends,
where the waters of Lake Volta flow downriver to meet the ocean.
We arrived riverside and hired a canoe to take us downriver
to the estuary. They were handmade wooden boats that came equipped
with bowls for bailing, as the leaky canoes take on water,
and we rowed an hour and a half under the equatorial midday
sun.
Where the river meets the ocean I found a place of astonishing
beauty, a white sand island with giant spindly palm trees,
a couple of huts, some hammocks, and little else. After spending
the afternoon there, we took canoes back upriver to the town
center and crossed the peninsula to spend the night in beach
huts on the ocean side of town.
In the morning, I walked to the shore to find 50 men from
the village standing in a long line pulling in the fishing
nets. They worked together, hands on the rope, singing and
chanting rhythmically, hauling in the nets and rocking back
in forth in time to the song. It was a snapshot of the original
Ghana, where everyone cooperates and everyone benefits.
A week later I was back in Accra, my visions of the sense
of collective responsibility and community that I experienced
among the fishermen drifting away from me like the tide going
out. In its place came the bustle of city life, like a whirlpool
that draws everything to the urban center, the sense of individual
survival pushing against the current.
That night I passed by the British Embassy and found hundreds
of Ghanaians lining both sides of the road. They would spend
the night in the street in hopes of getting a visa in the morning
to leave the country. I had a painful realization: They do
not want to be here. Ghana, for all its beauty, is easier to
leave than to change.
From the street, I could hear a man preaching, chanting rhythmically,
proclaiming the possibility of better days. His voice rang
out in the night air, echoing through the dark, bouncing off
the gates and high walls that separate the embassy from the
street, the expats from the locals, Africa from the West. He
paused and there is a moment of quiet, his words settling on
the crowd. Then they start clapping, the sound rising like
a wave; I am reminded that the people of Ghana are happy to
be alive. Despite their troubles, they have hope.
This man’s song, his rhythm, is the same song as the
fishermen in Ada Foah. And for all their struggle, there is
solidarity and somehow happiness. This is the rhythm of Ghana.

Upon returning to Accra, I continued my work at the Chronicle,
and while my daily commute became more mundane, I never stopped
feeling surprised, shocked, and at times enlightened by the
vastly different culture that I had immersed myself in. The
Ghanaians are extremely religious Christians for the most part,
and each news conference started and finished with a prayer.
Afterward, the journalists were given a takeaway lunch and
money that would usually cover a taxi fare to anywhere in the
city, but the journalists always took the tro-tro and saved
the two or three US dollars.
I was lucky to be in the office of the sub-editor, Kojo Omaboe,
when Gregg Zachary from the Wall Street Journal came by with
his newly arrived interns. He was heading a project called
Journalists for Human Rights, which was intended to bring human
rights issues into the media to promote positive social change
within the country.
He seemed to think I was fairly entertaining as I briefed
his new recruits on the way of life in the wilds of Africa.
They had arrived a day before and had questions about getting
around, talking to the locals, and whether they would get sick.
By then, the answers were perfectly clear to me: the tro-tros
are death traps, we may never fully understand the local culture
and of course you will get sick. This is Africa.
Zachary introduced me to Kofi Coomson, a journalism legend
in West Africa. He founded the Chronicle and is revered as
one of the best journalists to come out of the region. He was
imprisoned during the Rawlings era for seditious libel for
implicating the government in illegal activities. Coomson is
something of a celebrity and now lives in London. He tries
to keep a low profile when visiting Ghana, where the streets
are filled with people who either love or hate him.
Zachary invited me to attend a weeklong conference on reporting
on human rights issues in Ghana. The conference was intended
to be a workshop for journalists to help them understand the
power that media wields in setting a public agenda for social
reform. It also focused on trying to broaden the horizons of
the journalists to get them interested in writing human interest
and feature stories to elicit human compassion and empathy.
Much of the reporting in Ghana tends to center on news conferences
by the ministries and releases by various non-governmental
organizations, and while they may talk about social problems,
the human side of the stories is missing.
Gender inequality and female circumcision, child labor, allegations
of witchcraft that lead to exile and torture, and discrimination
against persons living with HIV or AIDS were among the important
social problems facing Ghana that were discussed at the conference.
Plenty of space in the papers is devoted to reporting on
commissions appointed by government ministries and launched
to tackle these social issues, but little work is done to humanize
the issues and challenge people to think critically about social
mores and norms. It is one thing to say a nongovernmental organization
has received a grant to do AIDS awareness work, but quite another
to visit the Fevers Ward in the hospitals and speak candidly
with AIDS patients about how they have been run out of their
village and shunned by their families. This particular issue
presented a twofold problem: in Ghana, the people living with
AIDS are reluctant to go public about their condition, and
reporters are reluctant to spend time with these people and
devote energy to stories about them.
I found it particularly disheartening that many reporters
harbor the same biases and prejudices as the public. They are
products of their social climate, and in light of the unstable
political situation in West Africa, political reporting gets
all the press while social issues tend to fall by the wayside.
Furthermore, in places where poverty is widespread and the
population is largely uneducated, critical thinking gives way
to authoritarianism. In my experience, people are taught to
defer to their superiors in most instances, hence the heavy
reliance in the media on the words of the government ministries.
Several reporters and locals told me that if I wanted a story,
I should talk to the ministries.
There is a consensus that those in power are worth talking
to, the average person’s plight is largely ignored. Despite
the warmth of the Ghanaian people, there seems to be a discrepancy
between their kindness and their lack of compassion and empathy
for the sick and disenfranchised.
I found my experience to be an invaluable lesson in journalism,
as well as international politics and social issues. It helped
me realize that spending time in the newsroom and trying to
emulate the style and tone of the Ghanaian media was taking
away from the things I could be learning and seeing outside.
I had the chance to meet a young reporter from Public Radio
International who would come to be a good friend and a helpful
colleague. We went to the Liberian Peace Conference and got
to meet with the delegates and other interest groups. But my
time in Ghana was coming to an end, and I had already extended
my ticket. I would spend several days at the airport trying
to get out of Africa and not really wanting to leave at all.
But I learned that a lot of great stories start at the ground
and move up. The media really have a tremendous responsibility
to tell the public what is happening and to give people choices.
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